Aboriginal culture and Dreamtime

Aboriginal Australians have not just one culture, but about 400 different cultures across Australia, each with its own language, laws, traditions, and stories. Some of the languages are as different from each other as English is from Chinese, whilst others can be closely related, like Spanish and Portugese.

Some Aboriginal cultures are rich in stories and ceremonies tied to the night sky, while in others the sky doesn't seem to play such an important role at all.

In some Aboriginal cultures the Moon is male and the Sun is female, and there are many different versions of stories, in different languages, in which the Moon-man falls ill (the waning Moon), lies dead for three nights (New Moon), and then resurrects on the third day (the waxing Moon).

NATURE

Aboriginals see themselves as part of nature. We see all things natural as part of us. All the things on Earth we see as part human. This is told through the ideas of dreaming. By dreaming we mean the belief that long ago, these creatures started human society. These creatures, these great creatures are just as much alive today as they were in the beginning. They are everlasting and will never die. They are always part of the land and nature as we are. Our connection to all things natural is spiritual.' Silas Roberts, first Chairman of the Northern Lands Council.

MUSIC

Aborigines have developed unique instruments and folk styles. The didgeridoo is commonly considered the national instrument of Australian Aborigines, and it is claimed to be the world's oldest wind instrument.

Clapping sticks are probably the more ubiquitous musical instrument, especially because they help maintain the rhythm for the song. More recently, Aboriginal musicians have branched into rock and roll, hip hop and reggae.

Artist Minnie Pwerle

ART
Australia has a long tradition of Aboriginal art which is thousands of years old. Modern Aboriginal artists continue the tradition using modern materials in their artworks. Aboriginal art is the most internationally recognizable form of Australian art.

SPORT

The Djabwurrung and Jardwadjali people of western Victoria once participated in the traditional game of Marn Grook, a type of football played with possum hide. The game inspired Tom Wills, inventor of the code of Australian rules football, which is now a popular Australian winter sport.

Similarities between Marn Grook and Australian football include the unique skill of jumping to catch the ball or high "marking", which results in a free kick. The word "mark" may have originated in "mumarki", which is "an Aboriginal word meaning catch" in a dialect of a Marn Grook playing tribe.

Aussie Rules has seen many indigenous players at elite football, and have produced some of the most exciting and skillful to play the modern game. Approximately one in ten AFL players are of indigenous origin.

In the National Rugby League 11% of the players were of Indigenous heritage.  Australia's national Rugby League team saw a record number of five Aboriginal players (38%) in their ranks of 13.

Aboriginal people themselves account for only about 2.3% of Australia's population, yet they account for more than five times that percentage of elite footballers.

The Dreamtime (or Dreaming) is a term used to describe the period before living memory when Spirits emerged from beneath the earth and from the sky to create the land forms and all living things. The dreamtime stories set down the laws for social and moral order and establish the cultural patterns and customs.

The Dreaming, as well as answering questions about origins, provides a harmonious framework for human experience in the universe and the place of all living things within it. It describes the harmony between humans and all other natural things.

For instance, an indigenous Australian might say that he or she has Kangaroo Dreaming, or Shark Dreaming, or Honey Ant Dreaming, or any combination of Dreamings pertinent to their "country".

What Religion are aboriginals?

Aboriginal religion, like many other religions, is characterised by having a god or gods who created people and the surrounding environment during a particular creation period at the beginning of time. Aboriginal people are very religious and spiritual, but rather than praying to a single god they cannot see, each group generally believes in a number of different deities, whose image is often depicted in some tangible, recognisable form. This form may be that of a particular landscape feature, an image in a rock art shelter, or in a plant or animal form.

As opposed to Christians and believers of many other religions who go to a church or a mosque to pray, Aboriginal People express their beliefs in spiritual rituals. In the old days when they all lived traditional life, they went to their sacred mountain or any other natural feature that was believed to be their creator (different tribes had different objects), and they performed spiritual ceremonies.



Similar to other religions, there was a time in Aboriginal belief when things were created. This “Creation Period” was the time when the Ancestral Beings created landforms, such as certain animals digging, creating lagoons or pushing up mountain ranges, or the first animals or plants being made.

Many Aboriginal People have also changed their beliefs since European invasion. Early missionaries forced them to learn the Bible, so there are some Aboriginal People who are Christians. There are even some Muslims, even though they are much fewer than Christians.

But most Aboriginal People haven't given up their original beliefs, they still believe in their own creation story, although probably in a new perspective. They now know that they have been in Australia for 60,000 years, so the Dreamtime has now changed from "the beginning of the time" to 60,000 years ago.





God is either necessary or unnecessary. 
God is not unnecessary, therefore God must be necessary.


Therefore, God exists.

Galah vs lizard

Situated at Kimba, half way across Australia, the Big Galah was built by Roger Venning and family. It is eight metres high, two and a half metres wide and weighs over two tonnes. It is constructed of steel, high tension bird wire, fibreglass and gel coated and was erected in July 1993.

The Galah, Eolophus roseicapilla, also known as the Rose-breasted Cockatoo, Galah Cockatoo, Roseate Cockatoo or Pink and Grey, is one of the most common and widespread cockatoos in Australia.
The Galah is pale grey on top and pink below. The male has dark brown eye and female has red eye. Its crest varies from pink in Western Australia to white throughout the rest of Australia. Juvenile Galahs have a grey breast and a grey eye-ring.
Often seen in large flocks of between 30 to 1000 birds. In rain they like to hang upside down from branches or power lines, wings spread wide to catch the rain.
Galahs will often congregate and forage on foot for food in open grassy areas.
Galahs are found throughout Australia, except in the very dry desert regions, and dense forests areas.

The Galah, And Oolah The Lizard

OOLAH the lizard was tired of lying in the sun, doing nothing. So he said, "I will go and play." He took his boomerangs out, and began to practise throwing them. While he was doing so a Galah came up, and stood near, watching the boomerangs come flying back, for the kind of boomerangs Oolah was throwing were the bubberahs. They are smaller than others, and more curved, and when they are properly thrown they return to the thrower, which other boomerangs do not.

Oolah was proud of having the gay Galah to watch his skill. In his pride he gave the bubberah an extra twist, and threw it with all his might. Whizz, whizzing through the air, back it came, hitting, as it passed her, the Galah on the top of her head, taking both feathers and skin clean off. The Galah set up a hideous, cawing, croaking shriek, and flew about, stopping every few minutes to knock her head on the ground like a mad bird. Oolah was so frightened when he saw what he had done, and noticed that the blood was flowing from the Galah's head, that he glided away to hide under a bindeah bush. But the Galah saw him. She never stopped the hideous noise she was making for a minute, but, still shrieking, followed Oolah. When she reached the bindeah bush she rushed at Oolah, seized him with her beak, rolled him on the bush until every bindeah had made a hole in his skin. Then she rubbed his skin with her own bleeding head. "Now then," she said, "you Oolah shall carry bindeahs on you always, and the stain of my blood."

"And you," said Oolah, as he hissed with pain from the tingling of the prickles, "shall be a bald-headed bird as long as I am a red prickly lizard."

So to this day, underneath the Galah's crest you can always find the bald patch which the bubberah of Oolah first made. And in the country of the Galahs are lizards coloured reddish brown, and covered with spikes like bindeah prickles.

Indigenous Astronomy

Because the Australian Aboriginal culture is the oldest continuous culture in the world, it is possible that the Australian Aboriginal people may be the world's first astronomers.

One of the earliest records of indigenous astronomy was made by William Stanbridge, an Englishman who emigrated to Australia in 1841 and befriended the local Boorong people.

Some Aboriginal groups use the motions of celestial bodies for calendar purposes. Many attribute religious or mythological meanings to celestial bodies and phenomena. There is a diversity of astronomical traditions in Australia, each with its own particular expression of cosmology. However, there appear to be common themes and systems between the groups.

Duane Hamacher, a PhD candidate at Macquarie University in Sydney, found a bowl-shaped crater at Palm Valley, near Hermannsburg, about 130 km southwest of Alice Springs, by searching for it on Google Earth - after being tipped off by Aboriginal dreaming stories.

"Indigenous Australians tell lots of stories about stars falling out of the sky with a noise like thunder - and one of the stories gave a location in the Northern Territory," the astronomer told the Northern Territory News.

"I searched for it on Google Earth, but when I really found something looking like a crater I couldn't believe it.
"I was very hesitant with excitement as I thought I would look like an idiot if it was just something simple - but it wasn't.
It was a crater."
When visiting the site with a team of geophysicists and astrophysicists, Mr Hamacher and his team found evidence of Palm Valley being an ancient meteorite crater.

"We found shocked quartz, which is only produced by a substantial impact and its presence in the rock samples and the morphology of the structure are the major indicators that Palm Valley is a crater."
Mr Hamacher said the discovery of a connection between dreamtime stories and reality was an exciting one.

"Lots of Aboriginal dreamtime stories are associated with craters, meteorites and cosmic impacts and although some craters are millions of years old and people would not have been able to witness the impact, it seems as if traditional dreaming stories know about the crater's origin."

One of the stories - the one that local Arrernte people tell about a star that fell into a waterhole called Puka in the valley, where Kulaia, the serpent, lived - had led to the discovery of the ancient crater, which the team proposed to name Puka, but there were "many, many more", Mr Hamacher said.

"We found stories with descriptions of cosmic impacts and meteorite falls related to places in Arnhem Land - we assume there are more meteorite craters out there and science doesn't even know about their existence yet."

Artist: Gabriella Possum Nungurrayi

Milky Way Dreaming tells the mythological story of seven sisters, the stars of the constellation Taurus (Pleiades), being chased across the sky by a Jakamarra man

represented by the morning star in Orion’s Belt. He tries to catch them but the seven sisters continually elude him.

Stars and family relationships


Knowledge of the constellations or star formations also reflect the patterns for social relationships in some areas. Arrernte and Luritja 'skin groupings', which determine people's relationships to one another, are based on the constellations of the Southern Cross. The stars represent a man and a woman ideally suited in marriage, with their parents, children and other relations all marked out in the night sky.



For Warlpiri people, the ancestors broke the Milky Way (called Yiwarra) into individual stars that we see today. Some fragments fell to earth, creating sacred places. This story is re-told in paintings, song and dance as well as re-enacted in contemporary initiation ceremonies, where men wear white down on their bodies to represent the stars (Dianne Johnson, Macquarie Atlas of Indigenous Australia).



Thus, connections are made on a daily basis between ancestors, people, stars and land. The telling of the Dreaming stories reinforces knowledge about the constellations, social behaviour, land formations and sacred places.

Echidna Australian marsupial

Echidnas are small mammals that are covered with coarse hair and spines. The spines protect the animal from enemies.
Superficially they resemble the anteaters of South America and other spiny mammals like hedgehogs and porcupines. They have snouts which have the functiοns of both mouth and nose. Their snouts are elongated and slender.
Echidnas have a tiny mouth and a toothless jaw. They feed by tearing open soft logs, anthills and the like, and use their long, sticky tongue, which protrudes from their snout, to collect their prey.

Echidnas grow to be about 40 centimetres long. They weigh about 8 kilograms.
In the wild, an echidna can live for up to 16 years.

They belong to the monotreme family of egg-laying mammals.
After mating, a female echidna digs a burrow, curls up her body, and lays one egg directly into her pouch. The egg hatches in about 10 days. Inside the pouch, the baby echidna drinks milk from its mother's body. When its spines start to grow, the baby leaves the pouch. The female will feed her baby until it's about 6 months old.